Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Johann Zoffany
Portrait of female

ID: 77514

Johann Zoffany Portrait of female
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Johann Zoffany Portrait of female


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Johann Zoffany

German (Resident in Britain) 1734-1810 Johann Zoffany Galleries Painter of portraits, conversation pieces, and theatrical scenes, Zoffany was born in Germany and came to England about 1758 after studying in Italy. He began by painting clock faces and doing hack work, before turning to painting theatrical scenes, especially depicting David Garrick. He was favoured by the royal family. George III nominated him for the Royal Academy in 1769 and recommended him to the duke of Tuscany.  Related Paintings of Johann Zoffany :. | Queen Charlotte at her Dressing Table | Self-Portrait with Hourglass | Herzog Franz Stephan I. von Lothringen | Mrs Oswald | The visit in the lord |
Related Artists:
Henri Bellech-ose
Brabant active in Dijon 1415-Dijon 1440/44
HOREMANS, Jan Jozef II
Flemish painter (b. 1714, Antwerpen, d. after 1790, Antwerpen)
Domenico Beccafumi
c1486-1551 Domenico Beccafumi Gallery Italian painter, sculptor, draughtsman, printmaker and illuminator. He was one of the protagonists, perhaps even the most precocious, of Tuscan Mannerism, which he practised with a strong sense of his Sienese artistic background but at the same time with an awareness of contemporary developments in Florence and Rome. He responded to the new demand for feeling and fantasy while retaining the formal language of the early 16th century. None of Beccafumis works is signed or dated, but his highly personal maniera has facilitated almost unanimous agreement regarding the definition of his corpus and the principal areas of influence on it. However, some questions concerning the circumstances of his early career and the choices available to him remain unanswered. The more extreme forms of Beccafumis reckless experimentation underwent a critical reappraisal only in the later 20th century.






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